Line marker works develop specific meanings associated with place from the colloquial to the global. Further, place has been attached to both fact (the civic regulations we live with) and fiction (the storytelling that enriches our lives).
The surface language of bracketing streets that are linked by our treads, transferring the road’s surface on to our shoes as the sun on our cheek or the wind on a gate, incremental but accumulative. We rub the road like a sort of flirtatious experience cladding conflating dichotomies for our brief visitation into the world then back home, then into the world then back home, our hopping, again, endless to the end days.
Exterior to Interior.
Vertical to Horizontal.
Macro to Micro.
Street to Lodging.
And back again. Always back. Again.
Our motion-work traces engaging select spaces… in an urban earth. A land art gesture.
Pure fact.
Yet, somehow the surface is also one of imagination and nuance – a visual record of date and a poetic nudge of time. It is hoped that as visitor/lodger we will study the surfaces we move through over a period of extended ticking, connecting to a real-world locale as our own personal psycho geographical mission-trip, one of splendour and the road, our road is a bellman.
Bellman.
